Nick Clement

Nick Clement is a freelance writer, having contributed to Variety Magazine, Hollywood- Elsewhere, Awards Daily, Back to the Movies (of course), and Taste of Cinema.

Blow-Up (1966) Review

The recently released Criterion Collection Blu-ray Special Edition of Michelangelo Antonioni’s masterpiece Blow-Up is a thing of pure beauty. From the gorgeous packaging to the wonderful and thoughtful full-color booklet to the plethora of bonus features, they’ve given one of the best films of all time superb physical media treatment. Blow-Up is a true study…

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vanishing point review

Vanishing Point (1971) Review

Richard Sarafian’s 1971 road movie Vanishing Point essentially puts on a 98 minute clinic of “being cool.” The cinematography by the amazing John A. Alonzo (Scarface, Chinatown, Harold and Maude) is out of control awesome, the swift editing by Stefan Arnsen keeps a beyond-fast pace, and the on-location shooting and stunt driving is truly tremendous….

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Christine (2016) Review: Throughly Unnerving

The thoroughly unnerving and slow-burn psychological drama Christine will almost certainly send a shiver down your spine, especially if you have no clue about the real events that inspired this deeply unsettling motion picture, which was directed with a continued sense of cinematic implacability by the sharp and extremely talented filmmaker Antonio Campos (Afterschool, Simon…

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Adaptation (2002) Review

I’m a fan of all of the works from writer/director Spike Jonze (Being John Malkovich, Her, Where the Wild Things Are), but the 2002 meta-comedy Adaptation is probably my favorite piece from idiosyncratic and deeply thought provoking cinematic voice. Written with his singular brand of existential dread and tack-sharp satire by Charlie Kaufman (Synecdoche, NY,…

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Interstellar (2014) Review

Interstellar, Christopher Nolan’s visually astonishing and mind-bending science-fiction epic, is an overwhelming experience. At least it was for me when I saw it on an IMAX screen, and it continues to be every single time I pop in the Blu-ray or watch it on HBO. It’s a $165 million anti-blockbuster that was based on an…

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Matchstick Men

Matchstick Men (2003) Review

Tonight’s feature presentation is Ridley Scott’s Matchstick Men, which easily makes my personal top five from Scott, and now that it’s a Netflix streaming option, I hope more people check it out. The cinematic sleight of hand on display in this film is remarkable. It’s so stylish in a very subtle way; I love it…

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Gauntlet film

The Gauntlet (1977) Review

  There’s no use denying it. We have no actor who could ever approximate late 70’s Clint Eastwood, no actress quite like Sandra Locke during that time period (she’s SUPER hot in this movie…), the action is forceful and brutal and nearly unrelenting once the narrative kicks into overdrive, while the undercurrent of rape that…

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Face:Off

Face/Off (1997) Review

Face/Off unquestionably represents the one and only time that Hollywood really got out of the way of action maestro John Woo and allowed him to go for broke with a big-budget and play on an R-rated playground of his patented poetic ultra-violence. I saw this film twice during opening weekend back in the summer of…

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Black Hawk Down (2001) Review

Black Hawk Down, which was released in 2001 in the shadow of the 9/11 terrorist attacks. A tragic anti-war film that manages to celebrate the warrior spirit that only a select few possess while eschewing stodgy and needless politicizing, this film dared to look at a deeply compromised and misguided American military excursion with necessary…

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