Don’t Knock Twice Review

  Don’t Knock Twice is a horror film about a mother desperate to reconnect with her troubled daughter who then becomes embroiled in the urban legend of a demonic witch. This Horror film throws you through every single genre and moves a Horror movie can make you experience. Throughout the entire movie you are questioning…

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Haywire (2011) Review

A film that strips away any narrative pretense and bloat, favoring classical and exquisitely shot and cut fight sequences with a terse screenplay (written by Soderbergh frenemy Lem Dobbs) that only divulges exactly what you need to know and nothing more. Gina Carano, a former MMA star, isn’t a particularly expressive or emotive screen presence,…

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The Girl on the Train Review

I very much enjoyed last year’s much-derided thriller The Girl on the Train. It’s not the best movie I’ve ever seen, and it’s hardly the worst. I like a good, steamy, erotic thriller, the types of movies that used to be original screenplay spec sales back in the 90’s. But nowadays, these genre thrillers are…

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Gerry (2002) Review

Gus Van Sant’s “death trilogy” started in 2002 with the unique and intimate film, Gerry, kicking off a run of small, super low budget and very internalized pieces of work, which also included 2003’s Elephant and Last Days in 2005 (while similar, 2007’s Paranoid Park isn’t considered part of this unofficial grouping). Certainly not for…

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Inside Man (2006) Review

  Spike Lee has always been a very politically and socially conscious filmmaker, with much of his work touching on topical elements that link us all together as human beings. This makes his straight-up genre picture, Inside Man, all the more atypical, as it’s one of the few gun-for-hire pictures that he’s put his name…

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Not Fade Away (2012) Review

  Totally buried by Paramount Vantage at the end of 2012, David Chase’s Not Fade Away is a funny and nostalgic time portal back to the 60’s, with a fantastic soundtrack, and a killer supporting performance from James Gandolfini. While the film possibly feels incomplete (I really would love to see a miniseries that picks…

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The Fugitive (1993) Review

It seems nearly insane that this film was nominated for Best Picture in 1993, not because it’s not fully awesome, but rather, this genre would NEVER be paid attention to by members of the Academy in our current cinematic climate. Harrison Ford delivered a quintessential movie star performance, eliciting sympathy right from the outset, and…

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Shoot Um Up (2007) Review

Shoot ‘Em Up is a wildly silly R-rated cartoon of a movie, tremendously fun and berserk and made with low-budget zeal and ingenuity. Playing like a Looney Tunes adventure on a few hits of PCP, this is pure comic-book-movie shenanigans, but instead of superheroes from another galaxy, the characters in this oddly eccentric actioner bounce…

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Logan Review

This review contains no spoilers only basic plot elements. Logan is without a doubt the best Marvel movie that Marvel didn’t technically make. There are so many things they got right about Logan that I just don’t know where to begin. Hugh Jackman really did the character Logan justice this time around. It’s by far…

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Clouds of Sils Maria (2014) Review

Currently streaming on Netflix and available on disc via The Criterion Collection, a piece of work that has come into full view after more than one screening. Shot on location all over Europe at a variety of obscenely photogenic locations by cinematographer Yorick Le Saux on 35mm film(!), Olivier Assayas’ dreamy film, which he wrote…

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Getting Straight (1970) Review

It’s a hard quality to have as a director, to make your films feel crazy and antic and wild, but at the same time still pay attention to mise-en-scene, performance, and technique. Rush’s 1970 effort Getting Straight is a wild beast, an anti-establishment picture made as one turbulent decade was ending and another socially questionable…

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