Knock Knock Review

So what would you do if these two lovely ladies came knocking at your door, late at night and soaking from the rain outside? You’d let them in right? C’mon guys you know you would, stop kidding yourself. The rules of Knock Knock are simple, knock on a door, seduce the married man in the…

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The Walk Review

The Walk is an interesting movie from director Robert Zemeckis, who is unquestionably one of the modern pioneers of pure movie magic. After countless entertainments, he’s been one of my favorite filmmakers, someone always interested in pushing the limits of technology while still imbuing his movies with a sense of heart and character. Who Framed…

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MMXXL

Magic Mike XXL Review

Gregory Jacobs’ Magic Mike XXL is a hoot and a holler, and a total 180 from the original, far more ambitious film, which I legitimately feel is great, subversive cinema. With Steven Soderbergh handling the cinematography and editing (under his usual pseudonyms of Peter Andrews and Mary Ann Bernard, of course), the entire tech package…

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Sinister 2 – Review

There are very few horror locations able to live up to the unsettling air that surrounds the “little house on the prairie”. The claustrophobic density of trees engulfing a cabin in the woods is one thing but there’s nothing quite like the vast plains reaching out to horizon, impenetrable walls of crops for miles around…

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Hard to be a God (2004)

You’ll know within the first few minutes of the impossible to completely describe and classify film Hard To Be A God if you’re going to make it through all three hours of this carnival of cinematic madness. In production for 13 years with director Aleksei German passing away before the film could be fully completed…

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Ted 2 – Review

Ted is back in the sequel that no-one was particularly begging for, as its distinctly average figures at the US Box Office will attest. Sharing the meandering style of plot, Seth MacFarlane’s follow-up is even less consistent than its predecessor, weakly structured across nearly 2 hours of run time. To call the narrative “thin” is…

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Wetlands (2014) Review

The insane German import Wetlands is singular, gross, nauseating, highly sexual, strange, lovely, smart, insane, icky, depraved, uber-graphic, and sort of monumental. It’s never, ever going to be remade for American audiences and it’s likely to appeal strictly to fans of “cinema-as-art.” I’ve never seen anything remotely like it. You get to see a POV…

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The End of the Tour

The End of the Tour Review

The End of the Tour focuses on a long weekend in the life of deceased author David Foster Wallace, whose 1996 novel, Infinite Jest, became a literary sensation and cultural touchstone for an entire generation. Bolstered by two terrific performances by Jason Segel (as Wallace) and Jesse Eisenberg (as then Rolling Stone reporter David Lipsky),…

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Boarding Gate (2007) Review

I’m always wholly fascinated by this film, and it’s something I feel that’s worth revisiting every year because of how it uses aesthetics to drive the plot. Boarding Gate is genre-hopper Olivier Assayas (Carlos, Summer Hours, Irma Vep) doing a sort-of Michael Mann-esque anti-thriller that’s more cerebral than crammed with action. It’s the kind of…

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Meadowland review

Credit must be given to director Reed Morano with her feature film debut Meadowland – she’s taken incredibly dark and troubling material and turned it into an inherently compelling, extremely raw, and often times painful cinematic experience, one that’s wholly engrossing, but that will test the strength of most viewers. Given that the film is…

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