Hidden Figures Review

Hidden Figures

I don’t get too hung up on poetic license and the reshaping of history when it comes to glossy and well-meaning Hollywood biographical tales, so in that regard, I enjoyed last year’s Oscar nominated drama Hidden Figures from director Theodore Melfi (St. Vincent). This is the compelling story of three African-American women who led the scientific charge of helping to get John Glenn into outer space. But I don’t understand why Taraji P. Henson wasn’t the one to get the acting nomination out of the main trio which included her, Octavia Spencer, and Janelle Monae.

Not that anyone was bad, but I thought Henson’s arc and character was easily the most affecting and effective. Melfi, who co-wrote the script with Allison Schroeder, took liberties with the facts and that’s his prerogative as a filmmaker; he crafted an engaging film about important subject matter, and injected warmth, humor, and some solid social critique. Kevin Costner can do no wrong, Cullen Moss (The Heroes of Arvine Place) gets some nice close-ups and lines during the final stretch, cinematographer Mandy Walker (Shattered Glass, Australia) gave the film some solid visual polish, Hans Zimmer’s score shoots for the stars with appropriate bombast, and the inherent “goodness” of the story is felt at all times.

A massive theatrical success to the tune of $230 million world-wide on a $25 million budget (that’s REAL $$$ right there), Hidden Figures is now available on Blu-ray, and will likely entertain audiences for many years to come.

Review by Nick Clement

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  • Hidden Figures
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Summary

A massive theatrical success to the tune of $230 million world-wide on a $25 million budget (that’s REAL $$$ right there), Hidden Figures is now available on Blu-ray, and will likely entertain audiences for many years to come.

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