Chillingly Suspenseful. Flay Review

Flay is a 2017 American supernatural horror film starring Violett Beane, Elle LaMont and A. Michael Baldwin. Returning home after the mysterious death of her mother, an estranged daughter and recovering addict, inadvertently unleashes a centuries-old curse by acquiring a mysterious and alluring black chain that empowers Flay, a faceless killer who drags his victims to the netherworld and returns…

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Movie Buildings in Real World Locations

Movie Buildings in the Real World

If iconic movie buildings were real, where would they be? The guys over at Aspire Doors  have picked out real world locations that would make logistical sense to place these fantasy locations within. Cinderella’s Castle I personally think Cinderella’s Castle looks right at home at the end of the medieval Charles Bridge, in Prague.  …

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Bright Film Review

  If Bright wasn’t the next film by the director and star of Suicide Squad, the critical reception would have been much different, not to mention the negative critical stigma that revolves around a Netlfix original feature. Fact of the matter is Bright isn’t as good as it should have been, but it’s a lot…

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Ingrid Goes West Review

Ingrid Goes West is a fabulous movie. Totally fucked up and completely of the moment, this down and dirty comedy-thriller gets a ton of mileage out of its superb cast, with a beyond-dedicated Aubrey Plaza bringing “the crazy” as a social media obsessed whack-a-do who stalks a vapid Instagram celebrity (brilliantly played by Elizabeth Olsen,…

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Butterkist night in

My Butterkist Night In

Thanks to the wonderfully delicious people over at Butterkist I was sent a few bags of popcorn and a NowTV pass to enjoy a Butterkist night in on them! Not one to argue at getting freebies (especially popcorn) I sat down, filled up a bowl with some delicious Sweet and Salted Butterkist popcorn and browsed…

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Man on Fire (2004) Review

Tony Scott’s slick, gritty and highly influential 2004 revenge thriller Man on Fire holds even more fiery resonance today than when it did upon first release. Brian Helgeland’s hard-nosed, straight-ahead screenplay set a simple foundation for Scott to run amok with his distinct brand of directorial tricks. The film is a stylistic tour de force…

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