The Game Review

The Game (1997) Review

The Game is my FAVORITE film by David Fincher. I’m not saying it’s his BEST (between Seven and Zodiac I’m still undecided), but make no mistake, the one I keep coming back to the most over the years is this underrated 1997 effort, which coming two years after Seven, seemed like the next logical step…

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Brad Pitt

Fight Club (1999) Review

David Fincher’s apocalyptic, hysterical, and blood-soaked satire of male (wish) fulfillment Fight Club escaped into theaters in 1999, and yet its message still rings loud and clear: F**K THE MAN. And make no mistake – this film literally escaped. How did they ACTUALLY get away with all of the stuff in this movie? I’m not…

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Alien

Alien 3 (1992) Review

I was 12 years old when my father took me to see David Fincher’s Alien 3 on opening night, totally unaware of the behind the scenes fiasco that had occurred during production, and that’s probably why I’ve always enjoyed it more than most. I still think that, for all the documented issues that befell this…

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The Social Network (2010)

The Social Network (2010) Review

  When I first heard that David Fincher would be directing a film about the formation of Facebook, my initial response, as was likely the same response from many others, was one of befuddlement. Why would this exquisitely talented filmmaker spend his time telling a story about a relatively young social media empire? What’s so…

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Film Still

My Science Project (1985) Review

Tonight’s super-shitty and yet super-awesome feature presentation. This film CHANGED MY LIFE when I was six years old. Released in theaters for about two hours in 1985, My Science Project became a tremendous point of obsession for me during the VHS revolution, as I introduced this complete piece of nonsense to all my friends, with…

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Reese Witherspoon

Inherent Vice (2014) Review

Based on Thomas Pynchon’s much celebrated novel, this is a wild, ridiculous, totally blazed piece of work that had “cult-classic” status written all over it the moment it was released in theaters a few years ago. Different and yet similar to obvious inspirations such as The Big Lebowski, The Big Sleep, and The Long Goodbye,…

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spaceballs poster

Spaceballs (1987) Review

Mel Brooks’ Spaceballs is one of my favorite comedies of all time. Of course, comedy is easily the most subjective genre out there, but for me, this film just nails its target so often that it’s impossible not to smile at all of the loving fun it pokes at Star Wars and countless other space…

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film still

Moonlight Mile (2002) Review

Infused with a tragic sense of personal melancholy as his wife was murdered in real life, writer/director Brad Silberling’s unfairly neglected 2002 drama Moonlight Mile is a heartfelt and consistently moving piece of cinema that features sterling work from Dustin Hoffman and Susan Sarandon as grieving parents, baby-faced Jake Gyllenhaal as their emotionally stunted would-be…

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movie poster

Bleed for This Review

Last year’s thoroughly entertaining and always absorbing true-life boxing movie Bleed for This, from writer/director Ben Younger (Boiler Room, Prime), deserved a lot more than to bomb at the box-office and draw only middling critical responses. What were people expecting? This movie hits all the proper beats, digs in deep to the hardscrabble world that…

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film still

Ordinary People (1980) Review

Robert Redford’s brilliant family drama Ordinary People is a great movie. How could it not be? It’s real. It’s genuine. Nothing is overdone. And everything works. Redford’s invisible direction, for which he won an Oscar in no less than his directorial debut, is sublime, never showboating in any aesthetic fashion, instead allowing Alvin Sargent’s sensitive…

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shotgun

The Nickel Ride (1974) Review

The Nickel Ride is a cool as a cucumber crime film from 1974, patiently directed by Robert Mulligan (Summer of ’42, The Stalking Moon, To Kill A Mockingbird) from a sly, morally ambiguous screenplay by then-newbie Eric Roth (Munich, Forrest Gump, The Curious Case of Benjamin Button, The Insider). The plot centers on a “key-man”…

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