Gorgeous Looking Nonsense: Age of Adaline
Shot in Fincher Brown Vision with lots of piss-yellows and varying shades of brown and black, the film is eye-candy to the extreme, with beautiful and evocative production design by Claude Paré, and a terrific sense of how to fully utilize the 2.35:1 frame by cinematographer David Lanzenberg, who also photographed the exceedingly stylish thriller…